Music Reviews of Metal, Grindcore, Death, Prog-Rock
Band Spotlight
Chiodos
Perhaps no one can explain the sheer ferocity and timid quietness it is better than when vocalist Craig Owens says “we don’t want to let the kids down” when discussing the group’s intense vocals live at shows. Well they never let a single kid down with their vicious assault on the ears and grip on the jugular...
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Skinny Puppy - Mythmaker
Converge - No Heroes
The Graduate - Anhedonia
Death By Stereo - Death Alive
Comeback Kid - Broadcasting
The Snake The Cross The Crown - Cotton Teeth
Dear and the Headlights - Small Steps, Heavy Hooves
The Geeks - Every Time We Fall
Limbeck - Limbeck
WinterKids - Memoirs
03.09.2007 by J-Sin
Music Reviews of Metal, Grindcore, Death, Black, Thrash, Progressive Rock
Dominici — 03 A Trilogy - Part 3 Buy it at Amazon
The scary beginning of this album starts with samples alluding to a nuclear weapon detonating in the Middle East, so it’s no surprise it’s called “King of Terror”. This finale in the series is filled with perfectly crafted prog metal anthems. The first installment was a solo project by former Dream Theater frontman Charlie Dominici that was solely acoustic while the sequel was more progressive metal that flows nicely into this final curtain call. Huge riff monsters rear their heads throughout the album and chug on. Nice.
- J-Sin
Demians — Building an Empire Buy it at Amazon
Nicholas Chapel is the intelligence behind Demians, a prog-rock adventure that is all about passionate compositions and less about dazzling audiences with ridiculous time signatures and complex musical arrangements—though to be fair, there’s plenty of that sort of intricacy in “Building an Empire”. Bookending the album is the grand sixteen minute opus aptly titled “Sand”; it’s a track that is both magical and awe-inspiring with its wide range of sounds and appetite for crafting a symmetrical soundscape that just puts your emotions into check and perfect balance.
- J-Sin
Porcupine Tree — Nil Recurring Buy it at Amazon
Weird. That pretty sums up Porcupine Tree. Ranging from psychedelic to trip-hop to metal, “Nil Recurring” fuses colliding sounds into a miasma of psychedelia and progressive choruses. Bizarre for sure, Porcupine Tree is hopeful that this EP will hold over fans until they have a chance to record another full-length. “Nil Recurring” is mostly comprised of hold-overs and b-sides from their last album. Intriguing and wildly different.
- J-Sin
Gallhammer — Ill Innocence Buy it at Amazon
Tokyo’s all-girl squad Gallhammer write some of the most devastating doom metal. Vivian Slaughter originally formed the band due to the heavy influence of Hellhammer. Recruiting the likes of Risa Reaper and Mika Penetrator, Slaughter sought to write dark, morbid gloomy tales with crunchy distortion and an apparent need for emptiness and despair. After their debut full-length “Gloomy Lights” and their follow-up “The Dawn Of…” brought them underground success, the band set about to tour in support of their latest “Ill Innocence” throughout Europe. Their songs are rife with hatred and all of the dark emotions while always featuring a guitar-centric approach.
- J-Sin
Dead Man — Euphoria Buy it at Amazon
Heavy metal and heavy rock ‘n’ roll bands better pay close attention to what Dead Man is up to. Why? Because after their debut established them as a group to watch amid the stoner rock and prog-rock world, “Euphoria” stretches them into more genres including blues rock, folk-pop, and psychedelic rock. Warm guitars exhume post-Black Sabbath heavy riffs. Nice.
- J-Sin
Far Flung — A Wound in Eternity Buy it at Amazon
Ah space rock. How rare a commodity you’ve become in the world of music these days. Why? Because most people want their music chopped up into little pop bites that are easily digestible and provide instant relief from their daily routines. Farflung doesn’t give two shits about nonsense like this. Instead they ready their rocket ship and blast off into the hyperspace that even Spock wouldn’t have ventured near. Warp-speed guitars and shiny metallic grooves with a vocalist who could invoke hallucinations all by himself.
- J-Sin
The Secret — Disintoxication Buy it at Amazon
The Secret are from the Eastern portion of Italy, to be precise the small city of Trieste. Fiercely progressive blackened-heart extreme metal (think a more heavy Converge) that rips off your head to barf toxins straight into your heart, lungs, and stomach. Cavity-filling distortion wrenches you from your place in society and launches you into a stratosphere filled with chaos, pain, and loss. “Disintoxication” is one of the most heavy albums I’ve heard in a while; it sounds as if they bottled an atomic explosion and let the pressure build for a millennium. The best thing is how raw and natural the album sounds, despite its chaotic outer shell.
- J-Sin
Lords of the North — Lords of the North Buy it at Amazon
Black Sabbath friendly riffs come at you from all sides on this stoner rock paradise album. Hard pounding percussion, crunchy guitar distortion, and long low-tuned monster tracks with a vocalist who conjures forth ‘70’s heavy rock perfectly, all combine for Lords of the North self-titled release. Fuzzy doom-riddled stoner anthems that recall the mighty Sleep.
- J-Sin
Engel — Absolute Design Buy it at Amazon
Debut albums usually seem to either completely disappoint, haunt you for a lifetime, or be tossed aside into a heap of indifference. Engel’s “Absolute Design” seems to be sort of between the later two. Recorded and mixed by Anders Friden of In Flames with Daniel Bergstrand assisting (he’s known for his work with Anders’ In Flames as well as Meshuggah among others), “Absolute Design” recycles melodic death metal riffs into dynamic and fitting chorus-rippers. Vocally it’s most definitely influenced by the Nordic metal scene, ranging from guttural to melodic yelling.
- J-Sin
Guapo — Elixirs Buy it at Amazon
Guapo is a duo comprised of Daniel O’Sullivan and David J. Smith. “Elixirs” is a psychedelic composition that transcends “normal” experimental music. Densely arranged, “Elixirs” was composed using a Rhodes, synthesizers, autoharp, harmonium, various percussion, piano, bass, and guitars. Stirring backdrops against which O’Sullivan adds spry vocals, shake your soul, rattle your mind, and deepen their assault against your sixth sense. Warning, this album is very different, very mind-altering, and very essential.
- J-Sin
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